Thursday 27 March 2014

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The selection of more than 350 works - many rarely, if ever, exhibited publicly before due to reasons of censorship - spans the artist's entire career and includes paintings, prints and drawings, sculpture and ceramics. Together, these reveal the profound, persistent and remarkably varied role that erotic imagery, ideas and experiences played in Picasso's work - from the bordello scenes of his youth in Barcelona to the epochal Les Demoiselles d'Avignon (sketches for which are included in the exhibition) and the nudes he produced at the age of ninety. As Picasso himself once stated, when asked about his views on art and sexuality, "They're the same thing."

Garnered from more than forty public and private collections worldwide, the exhibition features erotic works representative of virtually all the phases and styles of Picasso's career. Drawn from personal experience, imagination, mythology and earlier art, these images - by turns humorous and melancholic, enraptured and enraged - explore an almost encyclopedic range of sexual impulses, practices and human desire.

"Given the enormity of Picasso's oeuvre and influence, it is remarkable that up to now there has been no full-scale, major museum exhibition devoted to the central importance of erotic subject matter in his art," stated Museum Director Guy Cogeval. "Fascinating and often stunningly beautiful in and of themselves, these works will provide a long-overdue contribution to our understanding of the greatest artist of the twentieth century - and, indeed, of the nature of the artistic process and of creativity itself. It is most appropriate that this historic exhibition should take place at the Montreal Museum of Fine Arts, which in the past has hosted such important displays of Picasso's work as Picasso and Man (1964) and Pablo Picasso: Meeting in Montreal, organized in collaboration with Jacqueline Picasso, the artist's last wife."

The Exhibition
As Picasso's numerous biographers - and the artist himself - have confirmed, sex and the women in his life had an enormous influence on his work. Indeed, the painter's rapid and often dramatic changes of style are frequently attributed to the presence of a new love interest, the waning of an old one, or both. While the autobiographical character of Picasso's erotic art is undeniable, such subjects also served as a means of exploring - and challenging - the very nature of art and its role in society.

Organized chronologically and thematically, the exhibition is divided into three successive phases of Picasso's career: "The Early Years", "Between the Wars" and "Maturity", each of which is subdivided into particular motifs or projects that figured prominently in his erotic oeuvre. At various points in the exhibition, there are also viewing areas for film excerpts related to Picasso's erotic imagery.


The Early Years: The Brothels of Barcelona
Picasso erotique opens, appropriately enough, with an installation evoking a fin-de-siecle brothel - the setting both for many of the painter's earliest sexual exploits and for his first large body of erotic drawings. An adjacent gallery displays a number of these works, most of them depicting the prostitutes and patrons of Barcelona's notorious barrio chino, or red-light district, which the young Picasso and his fellow artist friends frequented during the late 1890s and early 1900s. Drawn in a linear, almost caricaturist style reminiscent of Toulouse-Lautrec, many of these are graphic and often grotesquely humorous depictions of various sex acts, clearly designed to amuse and titillate. The Mackerel (1902-1903), for example, shows a nude woman with a long-tongued fish between her legs. There are also poetic and quite lyrical scenes of lovemaking from this period, such as Embrace (1901) and Two Figures and a Cat (1902-1903), as well as the disturbing image of a nude woman in bed being strangled by a man.


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